Tearing Up The Social Contract

I’m still riding high on Littlefinger’s episode-closing speech from last night’s Game of Thrones.  Not because I agree with his sociological viewpoint, but because it illuminated just how deep his ambition and contempt runs.  And because Aidan Gillen is a fantastic actor and gave a wonderful reading to the monologue.  Let’s watch it again, shall we:

But even moreso, it touched on the sociology nerd in me.  My bachelors is in sociology, and I love to think about what brings people together and how and why we attribute meaning to things.

Littlefinger certainly spoke true when he said that the realm is nothing more than a lie the citizens of Westeros have agreed to, just like our own society is a construct that we created and adhere to because we choose to.  Littlefinger sees things in such a way that give him an advantage over most of the other players in the game of thrones.  He understands that behind all the social niceties and duties, people are out for themselves.  Unencumbered by these lies, he can play the long game like few others can.  But this speech makes something else very clear: Littlefinger will never, ever, win the game of thrones.  Even if he finally ascends to the throne of Westeros, the path he will take to get there will ensure that the game he knows will end and a whole new one will begin.  One with a new set of rules and one that he cannot hope to compete in.

Social Constructs: Their Importance And Their Fragility

Littlefinger is very dismissive of the social constructs that surround him and everyone else in the Seven Kingdoms.  To him, because they are fabricated, they are worthless.  The only thing that is real - the chaos of the ascent to power - is the only thing that matters.  He can’t seem to understand that even though society is fabricated, it has tremendous value.  Humans come together to form societies because we are stronger together.  People consent to be governed because in exchange for giving up some of our liberty, we are given protection, aid, and order.  In a society, we know that we can rely on our community to provide various goods and services, allowing the individual to specialize in what they are best at, rather than having to learn how to fully fend for oneself.  There is also the sense of belonging to a common group that diminishes the likelihood of crime.  Crime will still exist, but there is no “every man for himself” mentality.  In the chaos that Littlefinger seems to relish so much, each person not only must know how to cultivate food, build shelter, and make clothing, they must be on constant guard, worried that every passing person might try to take what is theirs.

But these constructs are fabricated, and they are only as powerful as we make them.  For example, compare and contrast the Night’s Watch with the Kingsguard.  Both institutions were created to protect something, and both require their members to give up many of the privileges and perks of humanity.  Through the constructed notion of oaths, the members swear to take no wives, father no children, remain chaste, and abdicate all lands, titles, and inheritances.  Both institutions demand that members wear a single color (black for the Night’s Watch, white for the Kingsguard).  At one time, both were seen as very important to the survival of Westeros.  But over time, the Night’s Watch, which is supposed to protect the entire realm, lost much of its meaning in the eyes of the citizens and monarchy, and now it is understaffed and filled primarily by unwilling participants (criminals) or people who feel they have no other choice in life (bastards, who won’t inherit lands or titles).  On the other hand, being a member of the Kingsguard, which exists to protect one man and his family, is seen as being among the highest honors in Westeros.

The Social Constructs Of Westeros

So how does this apply to Westeros?  The people of Westeros have agreed that a monarchy is the best form of government and that the family unit is extremely important.  The people have consented to one man’s absolute rule, and have further consented that the right to rule is a birthright.  Lands and titles pass through the family line, and maintaining a strong family and producing a male heir is essential to ensure that your descendants retain or increase the family’s current status.

Westeros is also feudalistic, meaning that social hierarchy is institutionalized.  The king is at the top, the liege lords are below him, the lower lords next, and then the smallfolk.  Each rung on the social ladder swears oaths of allegiance to the person above them.  In return, the person above provides protection to the group below.  This is supposed to ensure loyalty; people promise to be loyal and serve their lords in exchange for the lord’s protection.

For the most part, people accept that this is the type of society that they have chosen and do not question it, even when it results in terrible circumstances.  Just because someone is born into a leadership role, that does not mean they are born to rule.  There were a fair share of mad Targaryen kings (centuries of inbreeding will result in a polluted gene pool, and Cersei quoted an old adage stating that “whenever a Targaryen was born, the gods flipped a coin,” as the kings in the Targaryen line were often either great rulers or completely mad), and Joffrey is what happens when you tell a child he can do whatever he pleases.  And yet, in 300 years of Targaryen rule, it wasn’t the despicable acts of a mad king that finally overthrew the line.  It was a jealous lover who took a (somewhat misguided) stand against what he saw as tyranny.  Robert’s Rebellion challenged the idea that royalty is divine right… only to reassert that principle when Robert took the throne, as House Baratheon became the royal family.  A few people tried to rationalize Robert’s ascent to the throne through the existing social contract by pointing out that House Baratheon was distantly related to House Targaryen, but Robert created the circumstances that allowed him to take the Iron Throne, and people accepted it.  Aerys was a bad king, and the people of Westeros were ready to temporarily renegotiate the social contract to find a new king.  They then immediately resorted to the notion that royalty is based on family line, and proclaimed Robert’s heir the next king.

Littlefinger knows this.  This renegotiation is how he plans to ascend.  He was born with no lands, no titles, and no wealth.  Through his political maneuverings, he has acquired all of these things.  He has won the favor of powerful people and has been rewarded with titles and lands acquired as the spoils of war.  But to get to the throne, he’ll have to push aside the person at the top and hope that the people are willing to accept him as ruler.  Because if they don’t, his reign will be short-lived.

Changing Times

As the War of Five Kings continues to ravage the Seven Kingdoms, some people are beginning to once again show the desire to renegotiate the social contract.  The fact that people are willing to follow Robb or Renly shows that some in Westeros wish to choose their leader.  Although the Stark family once ruled The North as kings, they gave that up centuries ago.  But the brutal slaying of the beloved Ned Stark caused The North to declare independence, believing that they had no reason to swear allegiance to a monster like Joffrey.  And many more people are beginning to share that thought.  As for Renly, Highgarden’s support of him was based on nothing more than a desire to see him as king.  Most people believed that Joffrey was next in line to be king.  But if, as the rumors suggest, he and his brother Tommen were not the true heirs of Robert, the next person in line would be Stannis.  Problem is, Stannis is not well-liked.  So some people decided that they should choose who their king should be if they were dissatisfied with who was supposed to be king.  Then consider the Brotherhood Without Banners.  Their very name is a repudiation of the current Westerosi society.  They are trying to save the people, and they don’t serve any lord.  (Except R’Hllor, the Lord of Light.)  They are not without their problems - they steal from people they see as their enemies and they sell out Gendry, who would serve them willingly, in the name of R’Hllor - but they truly do seem to want to serve the people generally, even if that means doing a disservice to a few individuals.

Renegotiating vs. Repudiating

But here’s the thing: these groups are renegotiating the social contract.  They are becoming dissatisfied with how things are, so they are revisiting how they choose to let themselves be governed.  But they still choose to let themselves be governed.  The Northmen still want a king, they just don’t want their king to be Joffrey.  The Brotherhood Without Banners aren’t seeking anarchy, they are seeking fairness for the people, possibly even self-governance.  (Or possibly a theocracy.)

Littlefinger wants to create chaos, because he thinks that chaos will allow him to take the throne.  But Littlefinger hasn’t thought this through.  If the world is nothing but chaos, everyone else will have the same goal as him: accumulate as much power as possible and ensure self-preservation.  Littlefinger may be clever, and his cleverness may serve him well at court (an integral part of the socially constructed government), but once all social institutions are set aside, his cleverness will be meaningless.  Without the system of lords, titles, property ownership, etc., the only thing that will matter will be strength.

Littlefinger also discounts something else.  There is another truth aside from the chaos: human connection.  Loyalty to a lord or to one’s family are social constructs.  The bonds we forge with our fellow humans are not.  Look at the unlikely pairings in last night’s episode: Jon and Ygritte and Jaime and Brienne started as enemies, and now both sets are growing close because of the time they’re spending together.  Even Theon, who tried to so hard to honor his family and his origin, couldn’t quite shake the bonds he developed with the Starks, who were his captors.  He recognized (too late) that the Starks were his true family and that he screwed that relationship up when he tried to honor his awful father.  Even in the chaos, these bonds will survive.  But Littlefinger is a sociopath who cares only about himself.  If the chaos ever comes, he will have no one on his side, no one to stand beside him.

Conclusion

Littlefinger is courting chaos.  He thinks that because he understands the “truth,” he is uniquely suited to exploit it.  But chaos serves no one.  If he brings about the chaos, the game he has been playing his entire life, which has rules that depend upon the very illusions he’s trying to tear down, will end.  In its place will be a much harsher game, one in which intelligence and cleverness will have no place.  One that will depend on physical strength and loyalty that exists only between people who actively choose to be loyal to each other, rather than loyalty based upon a sense of duty.  This is a game Littlefinger can never hope to win.

liamdryden:

thebluthcompany:

15 Episodes, May 26.
[via]

aaaaAAAAHHH

I see this image and fear that the season will begin with the Bluth family dead in the shipping container, necessitating an investigation by Jimmy McNulty.

liamdryden:

thebluthcompany:

15 Episodes, May 26.

[via]

aaaaAAAAHHH

I see this image and fear that the season will begin with the Bluth family dead in the shipping container, necessitating an investigation by Jimmy McNulty.

Can the next SimCity game incorporate elements of The Wire?

Can the next SimCity game incorporate elements of The Wire?

Sadly, Robert F. Chew, the actor who played Proposition Joe on The Wire, died today.  So here is one of his best scenes on the show.

samaralex:

Aquarium Bed

Did Wee-Bey Bryce design this?

samaralex:

Aquarium Bed

Did Wee-Bey Bryce design this?

LEGO recreation of The Wire.  Overall, it’s pretty amazing (especially Snoop), but I will admit that I yelled out “THAT’S BULLSHIT!” when Ziggy complained that no one likes Season 2.  Season 2 is amazing!

The Legend of Korra Book 1, Episode 9: Out of the Past

“The question becomes now, who is the bigger threat?”  That’s how I ended last week’s review, wondering whether Tarrlok or Amon would ultimately become the main villain of the season.  One week later, we have our answer.  For all of Tarrlok’s scheming and danger, Amon is the biggest threat to Republic City.  Which, when looking at what we know about the two of them, is saying a lot.

Korra spends most of this episode out of commission, locked in a metal box in an out of the way cabin.  The opening scene of Tenzin bloodbending Korra into the box is straight out of a horror movie.  The low angle of the shot of the stairs, the shadow slowly moving down, and the exaggerated creaking sounds create a foreboding atmosphere, and the image of the levitating Korra, clearly in pain, drives home the terror.  Even in Aang’s time, bloodbending has been a crime for decades, and it’s not hard to figure out why.  Bloodbending is one of the most terrifying things imaginable.  Being unable to control your own actions and being forced to do the will of someone else is powerlessness in its purest form.  Both Tarrlok and Yakone used the skill to impose their will on others and achieve their own goals.  But whereas Yakone knew that he was a criminal and tried to “rule” Republic City as a crime boss, Tarrlok chose to go the “legitimate” route and rise through the ranks of the city’s government positions.  He wanted to achieve power by helping* the city, and whereas Yakone’s use of bloodbending was just part of his criminal activities, it would appear that Tarrlok used it as a last resort whenever people got in the way of his plans.  But his plans still involve taking over the city.

And that’s why it’s so interesting that Amon is the greater threat to the city than Tarrlok.  Amon’s goal is itself pretty noble – ending oppression of non-benders in Republic City – but he goes about it in a horrifying manner.  Meanwhile, neither Tarrlok’s goal nor his methods are noble.  He wants power, and he’ll achieve it by hoodwinking and bloodbending the citizens of Republic City.  Tarrlok needs to be stopped.  Amon himself needs to be stopped, but his followers need to be reasoned with.  So when Amon confronts Tarrlok and is able to resist bloodbending, it’s clear that he is so much more than he appears to be.  Who is this man who can energybend and resist bloodbending, who can outmaneuver master benders?

This episode also drives forward Korra’s story of becoming a full-fledged Avatar.  With nothing else to do in her prison, she finally taps into her past lives and sees Aang, Toph, and Sokka (who is a council member!) deal with Yakone.  She also is learning the value of strategies aside from “attack head-on.”  She formulates a plan to avoid being electrocuted by the Lieutenant, and she wisely avoids a fight with Amon, knowing that she couldn’t win while outnumbered and not at full strength.  Her allies also get a chance to show their potential when Lin breaks Mako, Bolin, and Asami out of prison.  Along with Tenzin, they break into an Equalist base looking for Korra and ably hold their own against the entire movement.  Tenzin and Lin have shown their fighting skills before, but it’s always great to see just how powerful airbending can be.

As the season draws to a close, things look pretty dire for Team Avatar, though.  The Equalists are a substantial threat, and each week only shows that they will be more difficult to beat than our heroes had previously thought.  And Team Avatar looks like it could suffer some in-fighting, as Asami is none too pleased to see Mako react to the news that Korra is missing or that the two of them kissed once (after Mako and Asami began dating).

*I hate to do this, because complaining about what didn’t happen is fairly pointless, especially when there is so much to praise about what did happen.  But my reaction to Tarrlok’s arc was strong enough that I feel I need to address it.  I know that this show isn’t The Wire and that it is written with the intent that children can watch it.  But so far, it has been a very smart and dense show with layered characters.  It still is, but I feel that Tarrlok ended up as too much of a complete monster and not enough of a well-intentioned extremist.  He would always have shades of complete monster, due to his use of bloodbending, but the desire to save Republic City by any means necessary would push him toward well-intentioned extremist.  A legitimate desire to save the population from the dangerous Amon is noble, and is shared by Korra, Tenzin, and the rest of Team Avatar, but the use of bloodbending would take him too far.  Instead, he only wanted to save Republic City so that he could rule it and follow in his father Yakone’s footsteps.  Had he repudiated his father’s desire to rule through fear while still using the same tactic his father used would have made for a more interesting political villain.  But I digress.

Random Thoughts

·         Shouldn’t the season of the year be autumn?  This is the Air book, and the element of air corresponds with the season of autumn in the Avatar universe.  In Avatar: The Last Airbender, each book’s element corresponded to its season (water = winter, earth = spring, fire = summer).

·         Who was the Air Nomad on the council during Yakone’s trial?

·         There must be a better way to describe the act of removing one’s bending ability than “took your bending,” right?

·         Lin doesn’t seem to have done much “outside the law” work; she’s still sore and doesn’t mention doing anything.  As I said before, imagine what this show could do with a longer season.

·         We still don’t know how Yakone and Tarrlok can bloodbend without the full moon.  But this was Yakone’s defense at trial, so we’ll probably learn something about the family.

·         Speaking of bloodbending, upon learning that Tarrlok can bloodbend without the full moon, WHY DIDN’T TENZIN, LIN, AND THE POLICE IMMEDIATELY TRY TO SUBDUE HIM??

·         The Equalists’ tunnel system is pretty spacious and advanced, complete with trams and hidden doors.

·         Judge Sokka spin-off, please!

·         I’m still looking for suggestions for a season 1 retrospective.

I really want to see a The Wire: The Musical now.  Especially if Michael K. Williams and Felicia “Snoop” Pearson appear.  (She remains terrifying by the way.)

I just found a way to tie The Wire to Aqua Teen Hunger Force.  I’m either a genius or a heretic.

I just found a way to tie The Wire to Aqua Teen Hunger Force.  I’m either a genius or a heretic.